Introducing Replichrome I: Icon Film for Lightroom & ACR

Introducing Replichrome I: Icon Film for Lightroom & ACR

Photo by Brandon Kidd

INTRODUCING REPLICHROME

FILM FOR LIGHTROOM & ADOBE CAMERA RAW

Combining the beauty of film and the flexibility of digital, Replichrome I: Icon is a set of film emulation presets for Lightroom 4 and 5. Born from our desire to make truly accurate and authentic film for Lightroom, Replichrome I combines systematic research with cutting-edge image science, to give you the most faithful film emulation available. Including the most popular films by Kodak™ and Fuji™, Replichrome I: Icon offers 75 presets to bring the look of film to your digital workflow. is a set of film emulation presets for Lightroom 4 and 5. Born from our desire to make truly accurate and authentic film for Lightroom, Replichrome I combines systematic research with cutting-edge image science, to give you the most faithful film emulation available. Including the most popular films by Kodak™ and Fuji™, Replichrome I: Icon offers 75 presets to bring the look of film to your digital workflow.

Photo by Paul Gero

Color

Replichrome I: Icon contains presets for some of the most iconic color films ever made, including Fuji Pro 400H™, Kodak Portra 400™ and Fuji Reala 100™.

Black & White

Featuring Kodak Tri-X 400™, T-Max 3200™ and many other beloved black and white stocks, Replichrome I: Icon offers the most authentic black and white presets available.

Workflow

Customize the look of your images, with curve adjustments, tonal shifts and unprecedented control overhighlights and shadows.

All Replichrome I: Icon presets include versions of each film as scanned on both Noritsu™ and Frontier™ scanners.

REPLICHROME IN ACTION

Photo by Susan Stripling

Photo by Jayms Ramirez

THE MAKING OF REPLICHROME

At Totally Rad! Inc., we believe that the best photo tools are made when you combine great image science and a true love for photography. We collected the most popular film stocks in the world, then shot that film in every lighting condition with every camera we could get our hands on.

Next, we scanned our film at some of the best labs in the country, on both Noritsu™ and Frontier™ scanners (because true filmophiles know that makes a difference!) Using that test data, we developed presets that are truly accurate, regardless of your camera model. In short, we did what they said couldn’t be done.

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